The montage in the film was incredibly well-executed, seamlessly transitioning between two contrasting tones and styles. Can you discuss your approach to creating such a dynamic montage that captured both the blissful charm and the suspenseful thriller elements of the story? What challenges did you face in balancing these tones, and how did you ensure a cohesive visual and emotional experience for the audience?
We definitely wanted to capture the cheery and magical experience of Group C and Naveen's improved family life juxtaposed with the dark, dingy warehouse. It came with many challenges (improvising with a four year old to name one), but we really leaned on our amazing cinematographer David Rob Jones, our cast, and a wonderful soundtrack which is crucial for a successful montage.
As the main writer of the film, what inspired you to explore the theme of finding one's voice and the journey of self-discovery through the lens of a support group-turned-cult?
I always thought it was interesting how cults (and cult-adjacent) groups prey on those seeking help and the commodification of self-help in general. "We have exactly what you need, if you subscribe for a monthly fee". We're all suffering in one way or another and some of us are quite vulnerable to these things. Maybe you'll find some benefit, but as an artist it's fun to explore.
How did you balance the comedic elements with the darker themes of manipulation and coercion in the script?
As an experienced comedy writer, it's fun to write jokes and get a laugh, but it's more meaningful to me when laughs come out of a great, immersive story. A show like "Severance" or "Fargo" accomplish this at the highest level. They tell a beautiful story that sucks you in to the characters and that was my goal in creating Group C.
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